Ep 1 – Jason Wingrove
The Cinematography Podcast
00:00
Moving Day
"Half of what you're seeing as brilliance is just good editing and, yeah, just cutting out a lot of bad bits," he says. "Film can be wonderful and it looks lovely but we are getting to the point where we can replicate it visually." The film was shot on Ari cameras that were 'bulletproof' for filming in war zones. It's all about creating this environment for this little girl that can be as real for her as possible.
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Transcript
