How to Create Multiple Delay Effects in a Drum Beat

The trick is to use two delay lines, or delay instances. To create stereo width, each delay line should have a slightly different delay time to the other. So long as the delay values are kept to a minimum, the brain does not hear each delay lines separately. Instead, it hears both together, but wider. In example five, the aim is to achieve a shadowing effect. It's very similar to creating ghost notes, but with emphasis on manipulating both the volume and pilter effects. This particular example uses a combination of steria with and modulated filtering,. using an l f o in sequence mode, much like echo boy’s rhythm echo mode. A low pass filter

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