An Exorcism and a Painted Witness

Branden recounts the 1731 ritual, witness descriptions of a serpentine figure, and the decision to memorialize it in paint.

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Episode notes

The Devil in the Painting

In the Alps, faith and fear have always lived close together.

In this episode of The Devil Within, we travel to a quiet sanctuary in northern Italy — a place where generations have climbed in search of healing, protection, and answers when suffering felt too heavy to carry alone.

In 1731, a woman from the surrounding region was brought to the hilltop church at Madonna di Pinè after her behavior began to change in ways her family could not understand. Sudden outbursts. Withdrawal. A voice that no longer sounded like her own. In a world without modern psychological language, her condition was understood the only way people knew how:

Something had taken hold of her.

What followed was a solemn ritual of exorcism — not spectacle, but prayer, command, and communal fear. Witnesses later described a moment during the rite when something dark and serpentine seemed to leave her body.

Whether miracle, misinterpretation, or a psychological turning point shaped by belief, the event left a permanent mark.

A small ex-voto painting inside the sanctuary still depicts the moment: a priest at prayer, a woman in distress, and a shadowed form emerging as if suffering itself had been given a shape.

But this episode goes beyond the question of what happened.

Because possession stories, across cultures and centuries, often reveal something deeper — a human need to separate pain from identity. To believe that darkness is something on us, not something we are. To see suffering as something that can be confronted… and expelled.

In the harsh Alpine world — where avalanches, illness, and long winters reminded communities how little they controlled — that kind of narrative wasn’t superstition.

It was survival.

As the Winter Olympics conclude and the crowds leave the mountains behind, this episode explores the older stories that still live there — stories of fear, faith, and the enduring hope that even the most invisible suffering can loosen its grip.

Because sometimes the most powerful miracle isn’t the disappearance of the unknown.

It’s the belief that healing is possible.

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