The Importance of Permission in Playwriting

I was looking for that first play, which was good going to be an Indian play. And I told Mira, who's an old friend of mine, Nair, that, you know, what you did with monsoon, I kind of did with dance like a man at least five years before. We found an Indian play with a very Indian voice, a very Indian sort of ethos and yet very universal - it could travel. It has travelled five continents and just completed 670 shows. So obviously we had a little 96 podcasts.

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