Curating and Displaying the Collection

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In this Thanksgiving edition of Decorating Pages, I’m giving thanks for the prop houses and vendors that keep film and TV sets alive.

I’m joined first by Fausto from Hollywood Studio Gallery, one of Los Angeles’ most important art rental houses. He shares the history of HSG, how he went from “shipping and receiving” to 35 years in the gallery, what changed when clearance rules tightened, and how they curate artwork for everything from kids rooms and hospitals to the White House.

Then I talk with Set Decorator Rich Murray (Only Murders in the Building, The Penguin, The Diplomat). Rich breaks down his favorite New York and East Coast prop resources – Newel, Eclectic Encore, Prop N Spoon, State Supply, Gotham Props, Fennec Props – plus the auction houses and antique warehouses in Connecticut, New Jersey, Philly, Hudson and beyond. We talk about sending trucks out for estate sales, using museum collections for cleared art, and how those “one stop” prop houses in LA compare to the patchwork system in New York.

If you love set decoration, production design, prop houses, and behind-the-scenes craft, this is a full-on love letter to the people who help us dress sets, solve clearance problems, and keep the doors open in a tough economy.

Listen in for shout-outs to Warner Bros, Universal, History for Hire, Advanced Liquidators, Nest, Newel, and many more – and for a reminder of why losing even one prop house is such a huge loss for the industry.

Topics:

• History of Hollywood Studio Gallery and art rental in LA

• How clearance really works for artwork on film and TV

• LA prop houses Kim leans on for everyday sets and period pieces

• New York prop houses and auctions Rich uses for Only Murders, The Penguin & The Diplomat

• Estate sales, antique warehouses, and museum collections as design tools

• Why decorators are genuinely thankful for prop houses

  
  

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