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RSR349 - Bill Cheney - Understanding Audio Peaks at Spectra1964

Recording Studio Rockstars

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How to Set the Levels Through the S T X and the Six Tens?

The s t x 100 an. T, they're two different circuits, two different concepts. When we first started buill mike prees, and we're sending em off shore and overseas with some bands you've heard of,. And we'd run against a competitor, they sounded remarkably the same. We found out that everybody was setting up the first stage like everybody else's. They were staying away from the peaks. But if you're down on the noise floor, running from the peak, it becomes really boring. The reason our priest sounds so good is because if you can gain ten d b, let's us use that that number in dynamic range, that's huge.

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