
34: Walter Murch, ACE Part Two
Art of the Frame
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Film Editing Pre-Lapse
Francis wanted this unsettling aspect sort of the DNA of video surveillance to infect the visual style of the film as if there wasn't somebody behind the camera and that there was a motion detector attached to a servo motor. As long as the actor is moving in the shot you hold if the actor leaves you wait until it's been programmed and if he doesn't come back in the shot then you go looking for him he exited left so I will pan left and do it very robotically it doesn't have those pans don't have a human behind them they they are but the operator was told to make it look artificial like a servo yeah it's really interestingSo that was you
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