Was BAFTA prepared for triggers?

Some exciting news—The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Mark actually went to the BAFTAs this year IRL—and this week’s Take kicks off with a rundown of the winners and all the big moments of the ceremony, including of course some reflections on its controversy from Mark and Simon and from your correspondence.

In celebration of Pixar’s 40th anniversary, Chief Creative Officer Pete Docter is our special guest this week. As the creative force behind some of Pixar’s most beloved films—including Up, Monsters Inc. and Inside Out, he joins Simon and Mark to celebrate the studio’s milestone birthday, and to look ahead to the release of their brand-new adventure, Hoppers. Featuring reflections on four decades of storytelling, a peek behind the animation curtain, and the secrets to making grown adults crumple into sobbing wrecks (in a good way).

Mark’s Hoppers review is still to come next week—but first it’s another packed show with the Good Doctors’ verdicts on all the biggest big screen releases of this week. First up, the latest instalment in a horror institution, Scream 7, where the body count rises and we’re once again promised that this really is the last one of these films (bet it isn’t though). Remember what Mark thought of the last one? Well, you’re in for a ranty treat...

Then there’s EPiC: Elvis Presley in Concert—so anyone who knows how Mark feels about Elvis will know we’re in for a ravey treat. Plus The Testament of Ann Lee, a Shaker musical exploring faith, fervour, and ecstatic song starring Amanda Seyfried. You can hear her and director Mona Fastvold on last week’s show too. Finally, Sirât—the nerve-jangling desert-set tale from Oliver Laxe that is blowing minds left right and centre. Mark throws his hat into the ring.

Plus all the usual delights of the Take: the box office top 10, the unpredictable and unbridled joy of the Laughter Lift, and your always-excellent correspondence. Thanks for listening!

Timecodes

00:00:00 Show starts

00:15:21 Scream 7 review

00:24:54 Box Office Top 10

00:38:38 Pete Docter interview

00:56:49 The Testament of Ann Lee review

01:07:38 Laughter Lift

01:10:16 EPiC review

01:21:23 Sirât review

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