The Interstitial Space and the Abject

I think one of the key things in objection is this idea that not only is this thing unfamiliar now, you know, it's frightening because it's always there. And so it, this rereading, it defiles not only perceptions of the novel, but of our formation of our identity, as girls and as women. I didn't know how it functions in those ways to stave off abjection, right? Or to divert from abjection so that you're not just the abject formless or the overly formed. Instead can play then that role in the symbolic order of the, you know,. production of the erotic patriarchal gaze, right?