Making America possible through music and words

From Krista:

On April 4, 1967, Martin Luther King Jr. gave a speech at Riverside Church in New York City called “A Time to Break Silence.” This is often referred to as his “Beyond Vietnam” Speech. His own allies criticized it as a risky departure from a focus on civil rights. But Dr. King had never seen his calling confined to those two words. The Vietnam War needed to end, he believed, and he needed to say that plain. And in the waging of this war — and all of its consequences for people at home, especially the poor — he saw an underlying crisis that threatened the very soul of our nation.

On that same date this year, the 59th anniversary of this speech, hundreds gathered again at Riverside for reflection, song, and a reading of portions of the speech. It was drafted by Dr. King’s friend and comrade Vincent Harding, a beloved former On Being guest, and many of his friends and family joined this year.

None of the words of this speech is as famous as the sentence “I have a dream.” This speech altogether gives voice to the less remembered and heeded evolution of the vision of Dr. King and Vincent Harding and others. It invokes the work that endures beyond leaders and events of the day, and that can be neglected at our peril if too many of us too narrowly focus our imaginations and creativity and callings on what transfixes and demoralizes in the moment. It calls for a “revolution of values” in the face of glaring contrasts of poverty and wealth and the human cost of a world order that settles differences with wars. That our world is broken, it tells us, should come as no surprise. There were deep moral and spiritual underpinnings to the events of 59 years ago, which we did not acknowledge, much less have risen to as a nation.

A line from this speech seems directly aimed at our ears and our hearts: “We are now faced with the fact, my friends, that tomorrow is today. We are confronted with the fierce urgency of now.” What are the callings now, finally, for us to pick up in creating the world we want to inhabit in the beyond of this moment of great peril and an equal magnitude of possibility?

This is a conversation with two human beings who loved Vincent Harding and whom he loved and formed: Michelle Alexander and Lucas Johnson.

You do not need to have heard or read the speech to follow this conversation, but here are links to do so if you wish:

Hear the speech, as recorded in 1959, in full.

Read the speech in full here.

Listen to Krista's original conversation with Vincent Harding here. 

Find an excellent transcript of this show, edited by humans, on our show page. 

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Michelle Alexander is a civil rights lawyer, legal scholar, and bestselling author of The New Jim Crow: Mass Incarceration in the Age of Colorblindness. She is currently a Scholar in Residence at Union Theological Seminary, where she is preparing to launch Spirit of Justice, a new organization dedicated to nurturing the spiritual lives of those committed to justice. Learn more at spiritofjustice.org

Lucas Johnson is an organizer and public theologian, who cultivates space for the spiritual transformation that brings about beloved community. He is currently traveling the United States, evoking stories about the movements that expanded American democracy and raising the question ”Is America possible?” in this 250th year since the Declaration of Independence. Find him at lucasjohnson.online. If you would like to invite Lucas to your congregation or organization to explore the personal stories of democratic revival, please learn about the Storytelling Tour here.

This event was produced by a new project at Union Theological Seminary called Into the Crowd, which brings nourishing stories of faith into our broader public life. Into the Crowd is led by Casey Donahue and funded by Lilly Endowment Inc. 

Special thanks to the amazing team of people that made the event at Riverside Church possible, including Casey Donahue, Kym Allen, Rev. Adriene Thorne, Jacob Shmid, Okera Correia, and saxophonist Langston Hughes II, whose exquisite performance of “Precious Lord” opened this episode.

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