Being edited as an editor

February’s bonus episode is packed with oodles of amazing writing tips from incredible authors. In part one of this month’s bonus episode, Bianca, connects with bestselling thriller author Robyn Harding and breaks down how she builds slow-burn suspense in ‘Strangers in the Villa’—from sneaky prologues and curiosity seeds to power imbalances, inciting incidents, and structuring twists that keep readers guessing.

In part two of this month’s bonus episode, Bianca chats with debut romance author and former professional editor Emily Ohanjanians about the winding, very human journey behind ‘The Book Tour’—from leaving in-house publishing to writing her first novel, querying in small batches, and the whirlwind of submission. Emily reflects on being edited as an editor, why fast pacing and early tension matter in romance, and why a guaranteed happy ending is a non-negotiable promise to readers. They dig into tropes (grumpy/sunshine, forced proximity), the joy of secondary characters, and how “spicy” scenes should deepen character and move the story forward. Along the way, Emily discusses second-generation identity, family expectations, and how social commentary can coexist with escapist, feel-good romance.

And lastly, don’t miss out on Emilie’s comps!

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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