“…if it’s a quiet night out at the beach and your ex-old lady suddenly out-of-nowhere shows up with a story about her current billionaire land-developer boyfriend, and his wife, and her boyfriend, and a plot to kidnap the billionaire and throw him in a loony-bin…”
A mystery in which the mystery isn’t the point.
A detective story in which the detective seems incapable of remembering all but the most basic facts (and even those require scribbled entries into his pocket notebook).
A film noir set not at night but mostly beneath the milkspilt murk of L.A. County’s smogwhite daylight.
Inherent Vice is a film that deceptively uses its hardboiled detective fiction framework as a method of inquiry into something far deeper, and far more serious, than a plot to kidnap a real estate developer. It tricks us into settling in for a noir about a man solving a mystery, and instead presents us with a man confronting a melancholy truth: everything—lives, eras, and loves—comes to an end.
And so it is with endings that Increment Vice begins. Together with guest Blake Howard, our host Travis Woods dives deep into the film’s opening scene, zigzagging from such topics as Joan Didion to End Of The ‘60s movies to romantic breakups, from the (maybe?) illusory nature of Vice character Sortilège all the way to the wry, smirking warmth at the heart of Paul Thomas Anderson’s heartbreaking, hilarious film.
About the Guest - BLAKE HOWARD
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