Why Brian Cox Directed Glenrothan

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Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member-only chat rooms, polls and submissions to influence the show, behind-the-scenes photos and videos, the monthly Redactor’s Roundup newsletter, and access to a new fortnightly LIVE show—a raucous, unfiltered lunchtime special with the Good Doctors, new features, and live chat so you can heckle, vote, and have your questions read out in real time.

Fresh film talk and finely tuned cinematic debate await in this week’s episode of Kermode & Mayo’s Take. The Good Doctors return with their trademark blend of insight and irreverence, casting a critical eye over the latest arrivals on the big screen.

Leading the lineup is Father Mother Sister Brother, the latest slanted family drama from Jim Jarmusch, with an all-star cast including Adam Driver, Cate Blanchett, and Charlotte Rampling. Then on to some moody existentialism with The Stranger, an adaptation of Albert Camus’ seminal novel, directed by François Ozon—who was our guest a couple of weeks back. And finally, The Undertone, a podcast-based, sound-forward horror—but will it resonate with Mark?

He’ll also be reviewing Glenrothan—a warming, Scottish-set tale of family reunion through whisky, directed by Brian Cox. Simon sits down with this formidable acting talent to discuss his turn to directing. Cox reflects on the changes and challenges of moving behind the camera, and what we can expect from his feature debut.

All that alongside a generous helping of listener correspondence, probably some spirited disagreement, and the familiar flickers of presenter exasperation—another essential listen for wittertainees the world over.

You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo

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Timecodes:

00:00:00 Show starts

00:12:02 Father Mother Sister Brother review

00:20:31 Download Chart

00:31:55 Brian Cox interview

00:45:27 Laughter Lift

00:49:49 Undertone review

01:01:30 The Stranger review

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