Music, Dionysus, and Philosophical Form

In the conclusion to the daemonic series, we're looking at Stefan Zweig's Struggle with the Daemon - specifically, the section on Nietzsche. Particularly helpful for our analysis will be Zweig's comparison and contrast of Nietzsche with Goethe: both men contain the daemoniacal drive, but whereas Goethe holds it at a distance, Nietzsche gives himself over to it. By following Zweig's interpretation of Nietzsche's life and work, we can move from the abstract conception of it to a particular manifestation, and get a sense of the daemonic as it appears in an individual.