Respecting the Rough Mix as a Reference

In Episode 364 of the Mixing Music Podcast, Dee Kei and Lu revisit one of the most common pieces of advice in mixing: “mix fast.” While trusting your instincts and avoiding overthinking can be powerful, the guys explore the nuance behind when slowing down actually leads to better results.

They discuss the value of the “next day listen,” how fresh ears can reveal problems you missed the night before, and why building extra time into your schedule can improve both your mixes and your revision process. From there, the conversation dives into practical ways to slow down intentionally, including detailed automation, vocal rides, automating effects and parallel compression, and taking the time to properly dial in EQ and compressor settings.

The episode also highlights the importance of referencing and making intentional decisions rather than letting plugins or presets determine the direction of a mix. The core message is simple: instinct and speed are valuable, but great mixes often come from knowing when to pause, listen carefully, and refine the details.

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The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.

This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.