Advice for Musicians: Document and Protect

In Part 2 with Margot Lane and Jezebel Sweet, we dive more into the spectacle of Corey’s Angels and the documentary Corey Feldman Vs. the World and what happens after you walk away from someone else’s narrative and start writing your own. They talk about the emotional and professional fallout of leaving Corey Feldman’s orbit, how it felt to watch their time in the band reframed on screen, and the mix of validation, frustration, and grief that comes with seeing the “behind the music” story shown on film.

Margot and Jezebel also share how they’re building their careers now—setting new boundaries in the entertainment industry, unpacking what they once normalized as “how it is,” and reconnecting with their own creativity, friendships, and instincts outside of the Corey’s Angels mythology.

You can watch Corey Feldman Vs. The World on Apple TV, YouTube, and Google Play (this is homework for next week’s guest too!). Also follow Margot Lane at margotlane.com and on Facebook and Instagram @musicismargot. Follow Jezebel Sweet at JezebelSweet.com, on Instagram & YouTube @JezebelSweet, and her doc commentary on YouTube.com/@JezebelSweetSpeaks.

Trigger warning: This episode contains frank discussion of emotional manipulation and controlling dynamics, objectification of women, abuse, drug use, crossing boundaries of sexual consent, and mental health and trauma processing.

Also…let it be known that:

The views and opinions expressed on A Little Bit Culty do not necessarily reflect the official policy or position of the podcast. Any content provided by our guests, bloggers, sponsors or authors are of their opinion and are not intended to malign any religion, group, club, organization, business, individual, anyone or anything. Nobody’s mad at you, just don’t be a culty fuckwad.

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CREDITS:

Executive Producers: Sarah Edmondson & Anthony Ames

Production Partner: Citizens of Sound

Co-Creator: Jess Tardy

Audio production: Will Retherford

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Writer: Sandra Nomoto

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Theme Song: “Cultivated” by Jon Bryant co-written with Nygel Asselin

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