Practical limits on fidelity in screen adaptations

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Victoria Dougherty is the author of The Bone Church, Welcome to the Hotel Yalta, and Cold. She writes fiction, drama, and essays that revolve around lovers, killers, curses, and destinies. Her work has been published or profiled in the New York Times, USA Today, The International Herald Tribune, and elsewhere. Earlier in her career, while living in Prague, she co-founded Black Box Theater, translating, producing, and acting in several Czech plays. Her blog – COLD – features her short essays on faith, family, love, and writing. WordPress, the blogging platform that hosts some 70 million blogs worldwide, has singled out COLD as one of the Top 50 Recommended Blogs by writers or about writing.

This is our seventh talk. We first discuss how stories should be adapted to the screen, and to what extent the source material should be changed. We then talk about how to write proper characters, and how to thread the line between character development and making a character behave out of character. We also discuss how much a story needs to be planned. Finally, we talk about how to imbue stories with morality and politics.

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