Cinematographers Compromise

There's a few times here that I usually would fight for the shot that I feel is the best, but then at some point you have to stop, don't you? It's a director's choice. The worst thing is when you're in the car going home and you think, I've got to done that better if I go wider and unbalanced it or something,. You know, you always have other ideas. "You work with people and hopefully they build mutual respect," he says.