Much of history has revolved around the journeys, challenges, and relationships, of men, but Serrah, daughter of Asher describes the teachings of her mother, grandmother, and all the women who shared their skills, compassion, hopes, and dreams. She’s mentioned once in passing in Genesis and again in the Book of Chronicles, but in Song of the Bluebird (Row House 2026), she’s known as Blue, who lives for generations, always a hard-working presence as the ancient Twelve Tribes of Israel grow in numbers, follow Joseph into Egypt, suffer as slaves, follow Moses across the sea, wander in the desert for forty years, and finally exult in freedom in the Land of Israel. Song of the Bluebird is a sweet and filling journey through the eyes of a wise and ageless woman.
Esther Goldenberg was born and raised in Chicago, Illinois, where both her parents told her stories and she spent a lot of time daydreaming. As the daughter of an elementary school teacher, Esther spent more time in the classroom than the average child. She studied child development in college and went on to become a teacher. Esther spent a lot of time reading books to students and, over time, began writing books of her own. She has helped many children write stories and many adults write stories for children. She was the editor of a New York Times bestselling children's book (A Day With No Words). Esther considers herself an educator first, even though she is also an editor and writer.
Two of Goldenberg's non-fiction books, Resistant to Reading: Tricks and Tips for Parents of Reluctant Readers and A Story Every Week: Torah Wisdom for Today's World were Amazon bestsellers in their categories, and her debut adult fiction novel The Scrolls of Deborah won the 2024 Foreword Indies gold medal for Religious Adult Fiction. That book is the first installment in The Desert Songs Trilogy of novels that retell the story of the Bible. These books highlight the everyday lives of the women, the relationships between family members, and the (sometimes surprising) similarities between life in modern times and life in ancient times. When not reading, writing, or leading workshops, Esther enjoys the process of making art -- regardless of the end-product.
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