This Ain't Rock and Roll

Daniel Rachel's book investigates the recurring use and appeal of Nazi symbols and aesthetics in pop and rock music, tracing examples from early post-war artists to contemporary figures.

He explores the theatrical and visual influences drawn from Nazi propaganda, while interrogating artists' motivations—shock, aesthetics, provocation, or sympathy.

The book contextualizes these choices within broader cultural attitudes, accountability in music, and the difference between fascination with imagery versus ideology.

Rachel also discusses the consequences and ongoing controversies when artists employ such symbols, arguing that rock music has not fully confronted its complicity.

His work combines historical research, critical analysis, and interviews to reveal why the issue persists and how it should be addressed.